archaryan race by Elios Schastél

characterization of an esoteric kind of being with the help of the language of choreography and nature directing

a story about the movie

The inner being of the esoteric kind of beings that make the archaryan race is characterized in the movie. With the help of choreography, nature direction, costume, picture direction, light direction and music the attributes of the inner being of the kind of being are conveyed. The choreography aims at being coherent. The coherence of the choreography must not be completely given due to the improvisational elements of tai chi. The nature was chosen to convey the paradise and the rising morning star in the inner being of the kind of being. A story about the inner being of the archaryan race is spoken about whereby a dramatical performance is aimed at. The archaryan race is characterized by abstractions of the body direction whereby the corresponding imaginative object was the input of the tai chi movements that were not consciously controlled at the moment of the happening.

an insight into the esoteric kind of being

The paradise and god or rather the biblic Archangels David and Lucifer or Lucifer and David belong to the archaryan race. The inner being of these cosmic and outer cosmic kinds of beings is diverse and full of contrasts, extremes and variety. Actually belonging tot he Aryan race they are recognized and treated recognized a wrong personality type. With a wrong identity the paradise gains the experience of wrong treatments until the paradise becomes god in its imaginations and from its second zodiac circle on. Being treated with fascism among the humen the inner being is characterized by extreme attributes in their sun, Jupiter, Star of David, Neptune and the crown consciousness of the inner being.
The archaryan race is an artist in their inner being. After the journey back to the place of origin outside the universe it dies at the end of the movie.

working process

The preparations of the development of the choreography took several months. There were rehearsals that took place were imagination and a physical realization of the esoteric kind of being were practiced in a tai chi. The motion sequences were already known after the rehearsals even if every realization includes improvisational elements due to the tai chi. The practicings aimed at a coherent choreography that can be that can be possible even when it is a practice of tai chi. During the film works there were searched atmospheres in valle di fénis in Italy that should characterize the appropriate kind of being.


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