characterization of an esoteric kind of being with the help of the language of choreography and nature directing
a story about the movie
The inner being of the esoteric kind of being German deity is characterized in the movie. With the help of choreography, nature direction, costume, picture direction, light direction and music the attributes of the inner being of the kind of being are conveyed. The choreography aims at being coherent. The coherence of the choreography must not be completely given due to the improvisational elements of tai chi. The nature was chosen to convey the characteristics of the triangle that shows upward in the fourth level of consciousness and the inner maturation process of the inner being of the kind of being. A story about the inner being of the German deity is spoken about whereby a dramatical performance is aimed at. The German deity is characterized by abstractions of the body direction whereby the corresponding imaginative object was the input of the tai chi movements that were not consciously controlled at the moment of the happening.
an insight into the esoteric kind of being
The German deity from Berlin in the occident is the counterpart of the Egyptian deity from Kairo in the Orient. It only carries a triangle that shows upwards in ist Star of David. The potentials of a triangle that shows downwards inside the Star of David are not given. Her inner being is characterized by accomplishments, the inner maturation process, inner greatness, the Star of David and many more attributes that have an extreme quality. The hurts, the aristocracy and the thinning of her inner being from outside the triangle that shows downwards are not recognizable for a superficial viewer. The inner being of the German deity has one of the most terrible and destructive destinies of the history of humanity due to the psychosomatic illnes that was mentioned before from the birth on. There is frequently used the designation „spider“ to the German deity even if the animal spider hast he opposite inner being.
The preparations of the development of the choreography took several months. There were rehearsals that took place were imagination and a physical realization of the esoteric kind of being were practiced in a tai chi. The motion sequences were already known after the rehearsals even if every realization includes improvisational elements due to the tai chi. The practicings aimed at a coherent choreography that can be that can be possible even when it is a practice of tai chi. During the film works there were searched atmospheres close to the grand saint Bernard close to the Swiss border in Italy that should characterize the appropriate kind of being.
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