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You can find current offers of the Elios Schastél film productions. You can write a message in the menu issue contact & media purchase were you inform about your order or you write directly to


Thanks are dedicated to all participators and employees who have become involved in the development and the production of the articles, filmlets, feature films, feature film DVDs, audio CDs, artworks and projects of the book publishing house, media publishing house and this website since the year 2013.

permanent supply

DVDs, books, audio CD by Elios Schastél film productions Ltd and Astral tai chi©

  • metaphysical picture language
    book German/ English
    ISBN: 9783982095011

current goals

There are plenty of current goals at our book and film publishing house. You can find an insight in below.

  • film productions
  • searching for futher investors
  • publishing in the international film and television industry

Are you an investor? Do you want to make publications in Germany or internationally on the television, at exhibitions or in the cinema? You can come into contact in the main menu issue contact and media purchase.

current supply

dimensions of a birth topic

in the universe, in the outer space and beyond the outer space

by Elios Schastèl

price: 200,00 € plus shipping

A birth topic is drafted in this artwork. The artwork contains the universal zodiac signs which are extended by a symbolic language in the dimension of the outer space. The drafts of humen that are visible outside the dimension of the outer space extend the characterization of the personality by the universally valid semiology (theory of meanings of signs and symbols) of body parts and body postures.

example of an artistic reading

In the third house there is the sign Cancer in the universe. In the outer space the person will make a friendship with extraterrestrials. Beyond the outer space the trust inside of him is strengthened. Each sign in the smallest circle dimension receives those characteristics in the bigger circle dimensions that are missing to make it become perfected.

three ways of understanding the Christian peace at the humen and outside our universe

by Elios Schastèl

price: 120,00 € plus shipping

reading and image analysis

The reading is explained below to analyse the artwork correctly. The artwork is divided in three parts. First of all the signs on the right side of the work are chronologically analysed from the bottom up to the top. Then the signs on the left side of the work are analysed chronologically from the bottom up to the top. Finally the pictures in the center of the work are chronologically semiotically decoded from the bottom up to the top. The right semiotic interpretation of the signs and pictures can be made with a reference to the knowledge contexts theory of science, Christian imagery, buddhistic soul and universal concepts as well as astronomy.

example of a reading

right side of the picture (coming from the spectator)

It is your decision (referring to the subject that is conveyed in this artwork) whether you will make the inner maturation process until the end as a human. You will gain the consciousness of the unity of time. Then you will own the peace. Starting from the bottom there is the striving principle and the principle that leads back inside of you. The eternal unity results. Leading the unity back to the earthly being it will seperate. Thus the inner maturation process develops until the end.

bottom line: On the right side of the picture coming from the spectator the inner being of a good human is conveyed.

left side of the image

In the thematic context inner maturation process the levels of consciousness are chronologically opened from the coccyx up to the vertex.

bottom line: On the left side of the picture coming from the spectator the inner being of a performer is conveyed.

center of the picture

The light candel is a metaphor of beginning light. The time clock is a metaphor of infinity. The twelve-part circle including twelve symbols indicates a zodiac scheme with legalities that are not those of our universe. The line structure with two thrones and a crown on the left side of the picture is a metaphor of the native-born aristocracy and artistic potential. The earth inside the elliptic shape is a metaphor of the awareness of the world in the holism of the universe. The eye with spectral coloured eyelashs is a metaphor that conveys the imaginative capacities of pictures of entities from outside our universe. The seveb triangles with a rainbow gate over the clouds are a metaphor of the beginning entrance to the pictures of the entities from outside our universe.

bottom line: In the center of the picture an inner being of beauty and intelligence is conveyed.

bottom line of this reading

As a human he/ she would be understood wrongly. Outside the universe he/ she would be understood as a physiotherapist. If he/ she would completely arrive at himself/ herself then he/ she would be understood as an artist.

recommendations for a use

  • public corridors in training facilities and lyceums of visual arts and fine arts (educational and illustrative material)
  • sleeping room without further furniture (improvement of the character and the personality)
  • furnishing inside churches (religious purposes)

interpretation of the seven levels of consciousness

by Elios Schastèl

price: 70,00 € plus shipping

explanations of this artwork

In the artwork there are the features of the seven levels of consciousness of the inner being conveyed in a semiotic way. An interpretative semiotic analysis is in below.

All contents of the following construct are subject to a good meaning and the inner maturation process develops with them. It follows an infinite and timeless development. The meanings of the contents of this inner being come from beyond the universe. Thus they are of a non-human kind. The inner being comes from a royal gender. The awareness of the whole world belongs to it. Visual capacities of universal contents are inside of it. With an ending inner maturation process there begins the perceptive faculty of pictures from beyond the universe.

interpretation of the wheel of diversity

by Elios Schastèl

price: 70,00 € plus shipping

story about the wheel of diversity

A light child gets educated. It walks on mountains where it encounters extraterrestrials. It foresees a kingdom of sun. There it conveys the messages of the earth, the seas, the moon and the stars until it returns to its home.

pictures of peace in heaven

in the understanding system of the inner maturation process

by Elios Schastèl

price: 120,00 € plus shipping

In this artwork there are interpretations of metaphysic and astrophysic pictures ordered to the understanding system of the inner maturation process.


This artwork can be read from the bottom to top.

example of an interpretation of the complete works

first picture

The striving principle leads to the inner maturation process at a light child.

second picture

By a dancer this inner maturation process is made until the end.

third picture

Opposite powers unite in the godly self.

fourth picture

The wise men are close to the inner maturation process.

fifith picture

A fighter lifts his sword with the believe in the earth.

sixth picture

A deity imagins a cobra that rests close to it.

seventh picture

On a cloud over the church crucifix there sits an angel.

recommendations for a use

  • public corridors in training facilities and lyceums of visual arts and fine arts (educational and illustrative material)
  • sleeping room without further furniture (improvement of the character and the personality)
  • furnishing inside churches (religious purposes)


by Elios Schastèl

price: 50,00 € plus shipping

explanations of this artwork

The T-shaped sign is a semiotic mean that was chosen to convey the universe. The elliptical form is a semiotic mean that was chosen to convey the being beyond the universe. This being is not ascertainable for the human limited mind. Yet it can be made ascertainable by a form that accords to the characteristics of the ellipse most of all. As soon as the being beyond the universe is conveyed by a form you can start to think in a broader dimension. The broader dimension outside the non ascertainable being beyond the universe is here conveyed with the help of lines in spectral colors. The lines in spectral colors are now influences that come from outside the ascertainable system. These influences contain all intelligences that are inside the spectral colors. The title of the picture was chosen because the symbol semiotically points to an extremely deep heart chakra.

basic principles of the outer space

by Elios Schastèl

price: 120,00 € plus shipping

In this artwork there are the basic principles of the outer space conveyed by seven geometric shapes. The features of each of these basic principles are recognizable due to the features of each of the seven shapes. The configuration of the shapes has no meaning.

note: For a more correct understanding of the characteristics and their meanings as basic principles in the outer space of each shape you must point out that the first shape and the fourth shape (read from bottom to top) have no angular but curved shapes. Seen from an ethical perspective this difference has a fundamental meaning.

beyond the unimaginable

(from the universe to the unimaginable and beyond that)

by Elios Schastèl

price: 50,00 € plus shipping

striving for unity

by Elios Schastèl

price: 50,00 € plus shipping

ways of understanding the dignity

by Elios Schastèl

price: 50,00 € plus shipping

contact and orders

I order one of the listed media.

German books
English books
short films
feature film DVDs
audio CD

I have a concern that is about one of the topics given.

Elios Schastél film productions Ltd
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Astral tai chi©

I would like to take private yoga classes.

private yoga classes

I am interested in a lecture on Astral tai chi©

private and public lectures

I want to be a receiver of the global message distributor of the Elios Schastél film productions, performance publisher and Astral tai chi©.

global message distributor

I am no internet fanatics. Yet I am an artist. I want that my art will be published on the internet that people who are interested can purchase it.

artistic independence

I want to participate in the foundation of the Astral university.

foundation of the Astral university

I want to make a baptism of the inner maturation process.

baptism of the inner maturation process

Please do not send any messages about the topics drugs, sex, money winnings or remedies for the psyche to the contact form.

under discussion

Contacting the performing art platform within questions and answers have shown results that are published in this menu issue.

discussion 1


do you promote the books on amazon with success? Which films were made? How does Elios Schastél connect Aristoteles (ethics) to god? What are global government heads? Who are they? Have Buffet or Helmut Kohl been global government heads?

with best Regards

good day,

the books are still on sale. The films are priorily about science fiction. One film production is coming into being. Philosophy as a science of the spirit as well as a theory and method of the spirit and a basic science of the spiritual sciences is a scientific method to make every entitiy and development beyond the physical being in a conceptual and theoretical way become accessible. Aristoteles’ image of god is more placed on earth than that of his teacher Platon was. The term global government head should first of all be allocated to a context to finally deal with a concrete definition of the term. In this context I do not define the term from a political science perspective. In the book the being of the global government head I approach the term from a metaphysical perspective or also a soul theoretical perspective. Refering to the question “Who are global government heads?” I would give the answer that they remain unrecognized in almost every case. Seen from a soul theoretical perspective the reason for this problem are missing competences and potentials to recognize it on other people. From this perspective I do not recognize Helmut Kohl with the potential of a global government head. Being put into a position is no proof of the existence of the necessary conditions of this term.

discussion 2


I have read your article about the book pilgrimage through Europe. It sounds interesting. How have you been on these travels? I also would like to go an a pilgrimage one day but I am not church. Must I be church for that?


The article was written due to the order to publish an article about the topic pilgrimage. Thereby the topics belief and religion, interior architecture of churches and the country as well as the humen should be included. Private topics including private diary entries should not be included due to the virtual publishing of the article and the privacy of the writer. Making a pilgrimage is indeed only recognizable when it is seen from a religious perspective or at least for reasons of belief. Mere hiking, fitness, self-discovery experiences or more reasons are no sufficient conditions of a pilgrimage. To answer your question you must not be church. Yet Religiousness, religious interest or at least reasons of belief are necessary conditions to have the right to use the term pilgrimage.

discussion 3


I have read the articles about astral tai chi. I have also watched the films about astral tai chi on the youtube channel of Elios Schastél and on the youtube channel of astral tai chi. Unfortunately I have not read the book. Yet I do not have an overview of the “forest of terms”. It is spoken about dance, performance, tai chi, astral tai chi and astro chi. What exactly is the difference between the terms? I see much more connections and similarities. A short explanation could be helpful.


First of all there must be made short definitions to answer your question and to prevent misunderstandings in before. Performance is an artistic improvisational action or more specifically an artistic behaviour basing on an (abstract) imaginary object outside the subject or more specifically the artistic medium. Dance is also an improvisational act or more specifically a behaviour that bases on empathy. The differences between dance and performance in its most original word meaning are findable in the imagination, empathy and the artistic occurrence. In contrast to dance the performance is not necessarily dependant of empathy whereas dance is not connected to an imagination. Thus it is no artistic occurrence. When these terms are not definitely seperated from each other then they can also be very much connected to each other. The transition from dance to performance or from performance to dance is the percentage relation between imagination and empathy. The more there is the imagination and the artistic occurrence of an artistic medium findable in the behaviour the more you can speak about performance. On the other hand the more there is empathy and less imagination and artistic occurrence findable in the behaviour the more you can speak about dance. The features of dance and performance are no contradictions. They are in harmony with each other. They can even support each other. Thus you can also use the term performing dance. If the percentage of the artistic occurrence and the abstract imagination is greater then you can also speak about a dance performance. Both behaviours are not dependant of music. Yet in case of dance you often use the medium of music as a mean to develop empathy. If you want to get a better understanding of the term astral tai chi then you should make the term tai chi understandable first of all. Tai chi is a martial arts technique that was originally developed by an artistic medium in an artistic behaviour. The word chi means swing in the English language. The word tai points to the country where the chi was originally developed. The swing is developed by an abstract imaginary object or by a permanent repetition of an uninterrupted movement series like you can find it in tai chi chuan or tai chi 24. If the capacity of imagination and the education are missing then you only need to adhere to the already existing movement series. Then you repeat it as long as it takes until a chi arises out of it. In contrast to tai chi the astral tai chi is necessarily dependant of abstract imaginary objects that are placed outside the subject. These imaginary objects must always be of a good meaning. Thus the selection of imaginary objects is limited. The imaginary objects are dependant of the practicing medium. In contrast to the mere tai chi astral tai chi is not dependant of a country (look at the word tai in front of chi). The artistic occurrence and the behaviour can not be seperated from this practice. The term astro chi is also appropriate to make the features of this artistic behaviour become understandable by words. If I should have made the “forest of terms” to a logically ordered garden plot then you should have a better understanding of these practices now. I have only given you a short insight into the terminological definitions. Yet it takes years to understand these practices correctly and to practice them in an educated way. It is difficult, complicated and dangerous.

discussion 4


In your films I have seen that the portrait format was chosen. This is not the conventional way to publish a film. Why did you decide for the portrait format and not for the conventional way?


The portrait format and the horizontal format have a meaning in direction. I do not want to tell you the profound and complicated knowledge of direction. Yet I can give you a short insight into the rules of direction. Each shape, each framing, camera position, lighting setup, each object, colour, material, structure, living being, movement, sound, noise has a meaning in direction. This meaning can originally be traced back to a very holistic world view that is refindable in the meanings of shapes, structures, movements and effects in philosophy of science. Creating a picture or developing a moving picture where all contents are valid and conclusive is the task of a director. It is the task of a director to convey shapes and structures truthful (and aesthetical) that make a sense in philosophy of science. He speaks about entities and processes that are behind the matter. Conveying these entities and processes correctly and with truth (in an aesthetical way) with the help of shapes, movements and structures is education. The viewer gets educated without being forced to understand the backgrounds of this education. Due to the visual information reception the eye and resulting from that also the brain of the viewer is suggested by movements, shapes and structures that change the view and the way of thinking of the viewer. Due to the suggestion of direction that has taken place the viewer starts to understand the objects and the humen in his environment in a different way. This includes light direction, photo direction, film direction and further kinds of direction that have a visual effect on the viewer’s brain. I give you an example. Today you see the ideal of male beauty passing the street. You immediately understand this man as elegant, educated and with a good nature. After that you go into a cinema. You watch a movie where shapes and structures, light influences and movements suggest your brain. You do not realize that consciously. Then you leave the cinema and you encounter the same man from before. Suddenly you understand him as naughty, stupid, cocky, arrogant and disabled. Your changed view of this man is to be traced back to the wrong direction that has suggested your brain visually in the cinema film. The wrong direction in the film has caused a wrong perception and understanding of the objects and humen in your environment. Thus the task of a director is responsible and powerful.

Returning to your question about the portrait format in the films I was forced to select the portrait format. When you enter for example Christian catholic churches then you see portrait formats that speak about the being of the queen, humen, angels and kings. Categorizing the soul into truthful and correct formats belongs to the knowledge and tasks of a director. The films that you are refering to deal with similar topics. They partly depict biblical occurrences. Thus it was obligatory to select the portrait format. In direction the vertical format speaks about a topic that is no priority topic in these films. The portrait format is the only right decision to make a right direction in such films like for example story about the development of the universe (part 1), journey through the outer space (part 2) and journey through the infinity (part 3). The vertical format in these films would be evaluated with mark 5 in direction. Similar to the example from before it would be irresponsible towards the viewer.

discussion 5


How do you understand yourself in the speeches and film speeches that were published in the documentary film DVD and on the internet?


I see myself as a laborer and a service who must fulfil his orders with guidelines in a possibly professional and competent way. I am nothing. I am completely unimportant.


How do you understand yourself as a performer in dance and tai chi or, if I have understood it correctly in your last films, also in ballet?


I see myself as an instrument and a medium of no importance having a conveying function. You could also replace me by another unimportant instrument and medium.


Is it possible to categorize astral tai chi into the context of ballet?


Everybody practices astral tai chi in an individual way. Everybody does it in a way that is adapted to the individual education, aesthetics, expression and chi. It is also not obligatory to do it in connection to music. Yet the chi can more or less be adapted to musical works. Thus astral tai chi can indeed be categorized into the context of dance. Refering to ballet it can not be categorized into classical ballet but when you consider the three basic rules of the body posture in ballet (outward rotation of the arms, outward rotation of the legs and a dignified posture of the torso) then it can be ordered to professional ballet in connection to music. In professional ballet you only need to consider these three body posture rules and then you use your body to speak in a sensible way about imaginary pictures, high social stands like princesses and kings, soul, emotions and more. You make the same practice in astral tai chi when slightly adapting it to a musical work and considering these three posture rules. Answering your question there is no difference between professional ballet and astral tai chi when slightly adapting the chi to a musical work and considering the three basic body posture rules of classical movement technique.


All contents of this website were made by Elios Schastél film productions.