characterization of an esoteric kind of being with the help of the language of choreography and nature directing
a story about the movie
The inner being of the esoteric kind of being mother of god is characterized in the movie. With the help of choreography, nature direction, costume, picture direction, light direction and music the attributes of the inner being of the kind of being are conveyed. The choreography aims at being coherent. The coherence of the choreography must not be completely given due to the improvisational elements of tai chi. The nature was chosen to convey the characteristics of the inner being of the kind of being. A story about the inner being of the mother of god is spoken about whereby a dramatical performance is aimed at. The mother of god is characterized by abstractions of the body direction whereby the corresponding imaginative object was the input of the tai chi movements that were not consciously controlled at the moment of the happening.
an insight into the esoteric kind of being
The inner being of the mother of god is characterized by an inner maturation process that is made from the level of the crown consciousness down to the basic trust from the birth on. An extreme extent of spiritualization is given and a big basic trust in the first level of consciousness as well as the paradise in the fourth level of consciousness of the inner being.
The preparations of the development of the choreography took several months. There were rehearsals that took place were imagination and a physical realization of the esoteric kind of being were practiced in a tai chi. The motion sequences were already known after the rehearsals even if every realization includes improvisational elements due to the tai chi. The practicings aimed at a coherent choreography that can be that can be possible even when it is a practice of tai chi. During the film works there were searched atmospheres in valle di fénis in Italy that should characterize the appropriate kind of being.
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