performance cosmos

menu issue overview


1. images of a performance
2. eternally exposnentally rising cosmos
3. spring of paradise
4. beke dances
5. bird of paradise
6. consciousness
7. Schastél and the elements water and earth
8. diamond
9. mother of god
10. Shasa dance
11. Universales/ queen of the universe
12. Egyptian deity



images of performances


a mediation of cosmic contents by expressive dances & tai chi acting



In this menu item you can find a mediation of cosmic kinds of beings by expressive dances and tai chi acting. The beke dances include improvisatory and choreographic elements. More dances like Schasa dance and the performance of pain base on a practice of Thai Chi. You can find examples for cosmic kinds of beings in a short performance that is given in below. Some of these figures are narrated in the dances.



kind of being paradise



The paradise is placed in the star* of an individual’s inner being. The life of a human that carries the paradise inside of him is full of shadows that are connected with other humen. A humble attitude, purity of the inner being, fragility and sensitivity as well as a strong believe and more attributes are features of the paradise in a human.



Elios Schastél (directing & photographer & performer)



kind of being Zeus



Zeus is a king among the human. He carries the being of an actor that belongs to the rising morning star** inside of him. His view is focused on the cosmos.



Elios Schastél (directing & photographer & performer)



kind of being Schasa



Schasa is a queen among the humen. She is understood as a humen who has an aristocratic inner being. Focusing her view on the cosmos her life is full of hurts in her star.



Elios Schastél (directing & photographer & performer)


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*Look at the menu item tolamsoq language under religion to find more informations.
**Look at the menu item cosmos & art under religion to find more informations.





eternally exponentially rising cosmos


characterization of an esoteric kind of being with the help of the language of choreography and nature directing






a story about the movie


The inner being of the esoteric kind of being exponentially eternally rising cosmos is characterized by its third and fourth level of consciousness (look at the buddhistic teachings of the soul). The attributes of the two levels of consciousness of the inner being of the cosmos are conveyed with the help of choreography, nature direction, costume, picture direction, light direction and music. The choreography aims at being coherent. The coherence of the choreography must not be completely given due to the improvisational elements of tai chi. The nature was chosen to convey the characteristics of the third and the fourth level of consciousness in the inner being of the kind of being. A story about the inner being of the cosmos is spoken about whereby a dramatical performance is aimed at. The cosmos is characterized by abstractions of the body direction whereby the corresponding imaginative object was the input of the tai chi movements that were not consciously controlled at the moment of the happening.




an insight into the esoteric kind of being


The inner being of the cosmos can be characterized by the attributes of the inner maturation process, a strong self, the eternal rise and a human star or a Star of David that filled and treated with hurts, giving, forgiveness and the triangle that shows upwards. Not coming from the universe but coming from outside the universe the human carrier of this kind of being is in a continuous change on earth between living and acting among the humen and being in distance from them. Furthermore, deism and greatness are attributes that make the inner being oft he cosmos.




working process


The preparations of the development of the choreography took several months. There were rehearsals that took place were imagination and a physical realization of the esoteric kind of being were practiced in a tai chi. The motion sequences were already known after the rehearsals even if every realization includes improvisational elements due to the tai chi. The practicings aimed at a coherent choreography that can be that can be possible even when it is a practice of tai chi. During the film works there were searched atmospheres in valle Verrayes close to the Swiss border in Italy that should characterize the appropriate kind of being.





spring of paradise


introduction



Standing beyond the water it makes the inner maturation process in the cosmos. Moving between being a human and being a pure cosmic kind of being it speaks about strength and striving with its body whereas its appearance betrays softness, innocence, an element of childishness and hidden education. The attributes of a Gemini and a Sagittarius who carries the balance inside of it go together with a piece by Tchaikowsky that betrays the passion and the pain inside of the figure. Elios Schastél wishes a good entertainment.



cover












work process



After having hitchhiked to Switzerland where the movie Eva & the apple tree had been made the jounrey led to the Saint-Bernard. Due to the weather conditions of a spring season there was no possibility to make further records on the peak. For this reason the records were planned to be made later and the journey finally led to the Lake Maggiore where the records for the trailer spring of paradise were made close to the village Meina. Within the directing equipment, costumes and imaginative images there finally resulted some parts of the movie. At the end one more hitchhiking tour led via Bellinzona to Berlin.




thanks and appreciation


At the end of the menu issue news you can find options to show ones appreciation.





beke dances above the clouds and beke dances in the mountains



Beke dances present filmic characterizations of non empirical kinds of beings from the other world in improvisatory and choreographical dance elements. The filmlets’ plot were made with the music’s plot. The language of dance elements contribute to the films plot. A dance language which correlates with the tolamsoq language I am starting to develop. Elios Schastél wishes a good entertainment.



beke dances above the clouds



In this film I danced a free child whose innocent personality is focused in the sun of her center. With her mind in the sky she does not know about her future where is a mountain filled with woods. Her face is not seeable until the music ends and she reveals herself.


beke dances above the clouds from annavossler on Vimeo.

notice
In the first filmlet there was not made any misspelling.



beke dances in the mountains



Tumo is a message bringer who brings the humen to the realm of ideas. While carrying the ideas of goodness and justice to the humen the music tells about her difficulties in fulfilling her task. During the moments of blackness the story goes on. Only the music betrayes the happenings which are not seeable.




Internet from Fabian Fritz on Vimeo.



thanks and appreciation


At the end of the menu issue news you can find options to show ones appreciation.





bird of paradise


bird of paradise & nightingale – a dance performance in Israel




Elios Schastél wishes a good entertainment.



story about the movie



In the Holy Land Israel the nightingale moves close to the Star of Bethlehem on the roofs of the town. Being unknown she makes her dance in the darkness speaking about inner maturity and leaving oneself respectively being no human anymore. Furthermore her movements shall express the elements air and fire as well as childishness and aristocracy. The more she gains the experiences of being hurt in her inner star the more she finds light and happiness in heaven where she already rose. Having found happiness by saying goodbye to the earth and refinding herself in heaven she continues her dance on the roofs at night. The sun god Ra, the Egyptian deity and a developing queen are united in the dance of the bird of paradise. It is the dance of a Gemini who has reached the inner maturity.



work process



A dream that led through underground rooms that were made before Christ was born caused the spiritual motivation to go to Jerusalem some months ago. There were still missing some cosmic kinds of beings in the film series where the cosmos should be conveyed by dance and acting performances. Regarding the fact that the journey to Israel was planned I made the decision to make a characterization of the bird of paradise that was close to the esoterical meaning of the church of the holy Sepulchre in Jerusalem. The song of the nightingale by Franz Grothe had influences of musical styles coming from Arabic culture areas next to those of European musical trends. In the course of preperations that were made for the dance conception I practised dance performances that focused on the imagination of pictures that were placed about one hundred eighty degrees over the head. The journey was started within a director’s equipment and a costume that should convey the character of the figure bird of paradise. After having passed the desert close to the lake of Galilee on foot I brought myself to the state of spiritualization and concentration by being in abstinence from heavy food and also moving continuously in the heat. Being arrived at the church of the Holy Sepulchre in Jerusalem I found some atmospheres at different day times. When it became dark I made a dance on the roofs of the old town until there was only still missing one sequence to finish the movie. Then I traveled back to the lake of Galilee to make one more performance in the town Kafarnaum where Jesus Christ had lived. After some days of having worked on the movie I traveled back to Germany to edit it. The music was finally connected with the dance and the film sequences until the characterization of the bird of paradise was finished.




thanks and appreciation


There is the possibility to show ones appreciation in the menu issue bird of paradise & nightingale under expressive dances in the main menu issue performing arts & religion or on the profile of Elisabeth Schastél at Patreon.





consciousness




Elios Schastél wishes a good entertainment.



about the cosmic kind of being man



The paradise is a galaxy that is significated by attributes and capacities like for example harmony, intelligence and empathy. The human representative of this kind of being on earth starts to go on an astral journey and studies the cosmos in the course of his life. These studies increase his consciousness that is connected with moral values because he must have made the inner maturation process on every consciousness level to be able to go on an astral journey. The consciousness of the man inside the paradise that is connected with moral values and that has studied the contents and structures of the cosmos is different to that of the human consciousness. In contrast to the human consciousness it is connected with logics, epistemological capacities and with components that are connected with each other and that can be conveyed with the picture of a staircase rise. On the other hand the human consciousness can be conveyed with the picture of unstructured components that will never be the same like the staircase rise even if the connections between them are tried to reach. If there are developed connections between the components in a human’s brain then there develops a deductive world view and a dogmatism that can directly result in a fascistic way of thinking. On the other hand if there are developed connections between the components of the consciousness in the kind of being man inside the representative of the paradise then there develops the staircase rise that is connected with moral values due to the capacity of thinking inductively and due to the present potentials of different kinds of Paths of knowledge.



plot



The movie conveys the contrary attributes of the consciousness of Aryans and the human consciousness. While there is a human between incoherent stones he tries to imitate the consciousness of Aryans, making mistakes. Arnold Schönberg’s twelfe-tone music adds an atmosphere of mind alienation and values. In contrast to the human consciousness the man inside the representative of the paradise who has made the maturation process in the cosmos speaks about making gifts on the basis of the moral consciousness, the consciousness of the cosmic balance/ principle of justice, the camera view of the Aryan race that is a camera view of fascism in the context of human consciousness, the rise of self-confidence due to the rising process on the consciousness level of the sun and about the eternal rise with his body language. In his performance he makes the inner maturation process until he becomes the rising morning star. Without the presence of the intelligences of his Star of David he would not have been able to go on his astral journey.



a fictional contemporary event at the movie



Is there still a Star of David?
 
or
 
where have all the flowers gone, long time pasting? (title)


A German woman with an Aryan appearance stands at the Holocaust Memorial in Berlin making a performance of the consciousness for film works. A passer-by from Berlin walks close to the Memorial. He sees the performer and he stops walking. With a half smirk he asks: “Why don’t you stand above the stones to perform yourself from the above?” The woman with the Aryan appearance answers without making a mimic art. “Because I belong between the stones and not onto them. How the Jews have been treated at that time people with my appearance are treated in these days.” The passer-by from Berlin looks clueless at her. “This she has not understood.” he thinks. He goes on. A short time later he encounters an acquaintance. He speaks: „We have already destroyed the Star of David. Well then nothing disturbs us anymore. Then we have done it. Nothing disturbs me anymore. Then there will be a nice time. Then there will be justice.“ The acquaintance answers: “Is she the last who remained? Then she won’t get it up. We will bring her down in before.” They go back to the Holocaust Memorial. There they see the performer packing her things together. One of them speaks with her. “You have not performed yourself from the above.” The second one takes her with him by saying: “You must not do that. Bitch!”




thanks and appreciation


A thanks is given to Monika Vossler who has made the camera in the sequences of the human consciousness. At the end of the article news and in the profile of Elios Schastél on Patreon there are options to express ones appreciation.





Schastél and the elements water and earth


plot



At the ending sunlight of a day the figure Schastél dances close to the water. Moving between the world of humen and the cosmos she walks her ways making jumps and turns until she reaches the maximum of inner greatness. At the end of her way she approaches the humen with big steps gaining the experiences of hurts in her star. On her way she often turns the setting sun and being accompanied by Sovlveig’s song she makes a communication with god until she finally returns to him. Elios Schastél wishes a good entertainment.








the figure’s character



Being close to the water there is no sign of it inside of her. The elements fire and air characterize her dance whereas earth and water are not recognizable in it. It is the imagination of the element water and not the water itself that is a part of her inner being. This element only appears to her as imaginative objects. The images that appear in front of her inner window do not show this element itself but they only show indications of it that are connected with air and fire. The result is the imagination of romance and eroticism that are far away from the water element. If the figure comes into contact with this element then her star closes and she falls back to the humen until she becomes one of them. For a superficial viewer the figure appears to be a creature who crazily spins around in the water. Yet if you decode her dance performance at a closer look there reveals the strong as well as fragile universe of a person who speaks with the cosmos gaining the experience of an inner lead that comes from it. Freedom and wildness as well as strength and greatness are in contrast to a childish playfulness and vulnerability of her star.



artistic work process



On a journey to Central Italy I carried costumes with me that made the realization of a dance at the sea possible. After having arrived I took a cosmic image in front of my inner window putting it over my head. Changing its contents by the time I finally started to perceive an inner lead of my limbs. In an interaction with strengths my physical movements became a dance in the course of the practise. The speed and the dance figures continuously changed. The images that I chose in this artistic process were the causees for the kinds of movements that characterize the figure Schastél. At the end of the dance the directing of the choreography was corresponding to the character of this figure.



beke dances & the figure Schastél



The film shows a princess dancing to the music of a dying Aries in the costume of a virgin Gemini. Walking through a woods’ center from her past to her future she carries the sun in her heart. While the observer approaches she opens it with the believe in goodness, beauty and justice. Simoultaneously, her light is intrused by the contrasts of her inner world.
The improvisation will still be worked out.









thanks and dedication


I thank the support that I received by making a performance with the cosmos. The film is dedicated to the respective cosmic contents and to my mother.





on the traces of the figure Schastél (Moscow and Jersualem)



The figure Schastél who can also be called the queen in the cosmos but not of the humen can be characterized by the Star of David that she carries inside of her. She is one of the prototypes of the Aryans. You can find some traces of the figure in the town Moscow.



star of the figure paradise (Moscow)



Christ-Erlöser-Kathedrale (Moskau) (Film) from elios on Vimeo.

christ saviour cathedral Moscow (Russia)



Star of David and star of the figure Schastél (Jerusalem & Bethlehem)



church of the holy Sepulchre Jerusalem from Elisabeth Schastél on Vimeo.

church of the Holy Sepulchre Jersualem (Israel)




church of the nativity Bethlehem from Elisabeth Schastél on Vimeo.

church of the Nativity Bethlehem (Israel)



sun of the figure Schastél (Moscow)




Ivan the Great Bell Tower Moscow (Russia)





Cathedral of the Archangel Moscow (Russia)






thanks and appreciation


There are options to express your appreciation in the menu issue news.





diamond – performance of a cosmic kind of being






Elios Schastél wishes a good entertainment.





content



A cosmic kind of being is characterized with the help of a physical performance, esoteric meanings of movements, nature, costume direction, light direction and world direction. The characterization focuses on conveying the attributes, potentials and capacities of the inner being and the actions in the life of the human representative of this kind of being on earth. The atmospheres of the nature shall characterize the sun and the star in the inner being of the human representative. In the nature atmosphere of the consciousness of the sun inside the kind of being the performer speaks about the interaction between the humen and the cosmos, making gifts by giving, hurts, madness and more. Whereas in the nature atmosphere of the consciousness of the star she goes one step further also speaking about the inner maturation process, suicide and more. The warmth and the variety of colours of its sun are in contrast to the coldness, isolation, abandonment and hardness of her star. The characterization of the kind of being is close to the personality of Jesus Christ. In addition to that the contrasts and the duality in the nature are also spoken about in the music piece Sérénade mélancolique op. 26 by Tschaikovsky. There is a struggle between two musical themes. A positive musical theme that has a hopeful and childish character competes with a sad theme of striving, pushing and pain. The musical themes of the paradise and the rising morning star in connection with a physical performance speak about the life and suffering of the human representative of the cosmic kind of being diamond on earth.



character of the human representative of the cosmic kind of being diamond on earth


  • dual personality
  • inner maturation process with obstacles
  • contrasts (e.g. strength and weakness, maturity and childishness, education and naivity, vulnerability and force)
  • function of a mediator
  • differentness that results in hurts and obstacles





work process


After having made an astral journey and having worked it out there took place physical performance rehearsals of the kind of being where imaginative pictures and concentration were focused on. Then a journey to the Grand Saint Bernard in Switzerland within a direction equipment and costumes took place. The esoteric meanings of the nature suited to the character of the kind of being that should be conveyed. After having arrived at the Grand Saint Bernard the right atmospheres were searched. By using world direction respectively the direction of the inner architecture of Christian churches, nature direction, direction of the esoteric meanings of parts of the body and body movements, costume direction, language of the music and a dramatic development the performance of the kind of being took place several times. Making a kind of a Tai chi practice the body movements should characterize the kind of being. The performance had more an acting than a dance character. After having traveled back to Berlin the performances were worked to a dramatic construction together with the story of the music, light direction and picture direction that should speak about the character of the kind of being. The complete work conveys the character of the human representative of the cosmic kind of being diamond on the earth on the one hand. On the other hand it conveys the attributes of the cosmic kind of being itself.




thanks and appreciation


At the end of the menu issue news there are options to show ones appreciation as well as in the profile of Elisabeth Schastél on Patreon.





mother of god


characterization of an esoteric kind of being with the help of the language of choreography and nature directing






a story about the movie


The inner being of the esoteric kind of being mother of god is characterized in the movie. With the help of choreography, nature direction, costume, picture direction, light direction and music the attributes of the inner being of the kind of being are conveyed. The choreography aims at being coherent. The coherence of the choreography must not be completely given due to the improvisational elements of tai chi. The nature was chosen to convey the characteristics of the inner being of the kind of being. A story about the inner being of the mother of god is spoken about whereby a dramatical performance is aimed at. The mother of god is characterized by abstractions of the body direction whereby the corresponding imaginative object was the input of the tai chi movements that were not consciously controlled at the moment of the happening.




an insight into the esoteric kind of being


The inner being of the mother of god is characterized by an inner maturation process that is made from the level of the crown consciousness down to the basic trust from the birth on. An extreme extent of spiritualization is given and a big basic trust in the first level of consciousness as well as the paradise in the fourth level of consciousness of the inner being.




working process


The preparations of the development of the choreography took several months. There were rehearsals that took place were imagination and a physical realization of the esoteric kind of being were practiced in a tai chi. The motion sequences were already known after the rehearsals even if every realization includes improvisational elements due to the tai chi. The practicings aimed at a coherent choreography that can be that can be possible even when it is a practice of tai chi. During the film works there were searched atmospheres in valle di fénis in Italy that should characterize the appropriate kind of being.





Shasa dance


performance of the figure Schasa by Elios Schastél


cover




Elios Schastél (photographer & actress)





Schasa dance







plot



Schasa goes on a journey that leads her to the humen. A mountainous path that is filled with shadows is in front of her. Her second life takes place in the perception worlds of the cosmos. There she flees to a castle on the clouds where she lives the life of the figure Schastél. Continuously returning to the humen Schastél is a mediator of the values of goodness and justice among them. While Schastél flies in the cosmos she distances always more from the earth until the madness takes her. Simoultaneously Schasa stays among the humen struggling for the values of goodness and justice on earth. Being misunderstood she lives a lonely life among them. Her last view remains on the light of the sun whereby her true greatness rises up to heaven breaking the limits of possibility. An Egyptian goodness has developed inside of her due to the rising of the figure Schastél. A misunderstood star over the peak of a snow covered mountain is the last image that remains of a queen among the humen.



character



Her character is split between her inner world and that that she embodies among the humen. Inside of her she has the being of a princess. This princess is a child that flees to the castle over the mountains having the function of a mediator between the cosmos and the humen. Her character is distinguished by easiness and playfulness. Fondness and beauty characterize her. Her phantasy starts to be in interaction with madness. The values that Schastél mediates let her be misunderstood among the humen. For this reason she retreats into the phantasies of Schasa’s protected inner world. Schasa who stays among the humen and who looks up to the castle over the clouds tries to mediate the informations to the humen that Schastél has received in the cosmos. Will and ambition as well as idealism feature her character. The depiction of Schasa’s amiguid personality corresponds with the story between god who stays among the humen looking up to heaven and the alien that lives outside the cosmos. It is the story between the rising morning star* in our universe and the paradise of the other dimension. The character of the figure Schasa develops to be an Egyptian deity that remains misunderstood among the humen or it becomes a humen by a star that closes inside of her.



development of the movie



In the course of the development of the Schastél series and the beke dances series I made a communicative process with the cosmos. After this artistic process I tried to find a system in the informations that I had received. I started to personalize the contents of the cosmos by mediating them in expressive dances and acting performances. The mediation of the figures Tumo and Schastél in dances and the acting performances of the figures princess, Schastél and Schasa resulted in the development of the conception for the Schasa dance and the performance of the Egyptian deity & pain**. In 2016 I hitchhiked to the Swiss Italian border with a direction equipment and costumes to realize the dances and the other film sequences in the mountains of Gressoney-Saint-Jean and Borgofranco. The dance performances of the figures Schastél, Schasa and the Egyptian deity based on a practice of Thai Chi. During these practices the movements developed to have a speed that the Thai Chi became a dance. After I had returned to Berlin I continued to the directing of the films. The directing bases on a choreography that goes together with the story of Beethoven’s seventh symphony. This music was the basis for perceptive images that I had received before. These images were transferred to a body language during a dance performance with the cosmos. Elisabeth Schastél wishes a good entertainment.


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*Look at the menu item cosmos & art under religion to find more informations.
**Look at the menu item expressive dances under performing arts & religion to find more informations.




thanks and appreciation


There a possibilities of showing ones appreciation in the menu item news.





Universales/ queen of the universe


performance of Universales (Greek)/ queen of the universe




Elios Schastél wishes a good entertainment.





about the cosmic kind of being



Universales is the queen of the universe who has the name Mondiales/ queen of the world on earth. Her human representative on earth has to go on two paths of inner matrity. On the one side it is the inner maturation of the destroyed paradise that matures until it becomes the rising morning star and on the other side it is the inner maturation process in the cosmos. After she had been sent from another galaxy to the earth at her birth as the queen of the universe she has to gain the experience of a hard and painfull life that lets her go on the steps of consciousness in the cosmos. Being the rising morning star on earth and also in the cosmos she finally finds the place where she came from and she is recognized as the queen of the universe among the humen.



story about the movie



An inner maturation process of the rising morning star that developd from the paradise goes together with the inner maturation process of the rising morning star in the cosmos. It is a path that is full of obstacles and failures. Being surrounded by the hell she has to go on a way that will finally lead her to spiritualization until she continues going on her path beyond the clouds in the cosmos. Continuously being thrown back again on her way she has difficulties with receiving confirmations and recognition from her outside world. Speaking about these challenges and sufferance in her physical performances she characterizes a cosmic kind of being that has an aristocratic character (characterization of specific levels of consciousness by physical performances) and the Aryan race (symbol of the hawk in Chinese astrology). Furthermore the German and the Egyptian deity are inside of her (esoteric meanings of physical movements in a performance). The rising morning star and more cosmic kinds of beings are recognizable in her performance. Character attributes like for example forgiving, strength and also the conditionless gifts (esoteric meanings of physical movements in a performance) as well as failures and hurts (acting expressions) are more elements of her performance. A carrier of the light of the sun where the paradise is hidden studies in the cosmos until she approaches the end of her human life. The queen of the universe goes back to the roomlessness of solution and spiritualization. She dies.



development process



On the basis of the development of the film series that is about the topic performances of cosmic kinds of beings there occured the idea to characterize Universales/ the queen of the universe in a performance. The music for the funeral of queen Mary and the esoteric meanings of the Ben Nevis’ and Fort William in Scottland were collected for the plot and the natures of the characterization. There had also been the performance of the Egyptian deity and the pain in the roomlessness of solution and spiritualization at the end of the film made before. They were taken from a movie that had been made some months ago in Switzerland. The sequence is an insight into a movie that shall be a continuation of the story of Universales. Several rehearsals were made within physical performances of this cosmic kind of being in before. The focus was on imaginative pictures in the cosmos and concentration that resulted in a practice of Tai chi. Due to the speed of the Tai chi movements there were included some dance elements that were reduced on acting performances in the movie. Within a direction equipment and a costume that should convey the education, archaristocracy and the character of a global government head I searched the nature atmospheres at the Ben Nevis that suited to the contents of the movie and the character of the kind of being. The performances were made close to the peak. Considering the world direction (e. g. direction of the inner architectures of Christian churches) the sequences were finally edited to a story that should characterize Universales.



on the traces of the global government head Daniel & his destruction/ the Star of David of the rising morning star in Scotland (Fort William & Ben Nevis)



The archangel Daniel who makes his inner maturation process as the rising morning has his star for example in Fort William in Scotland.




saint Andrew’s Scottish episocal church from Elisabeth Schastél on Vimeo.





thanks and appreciation


There are options at the end of the menu issue news and in the profile of Elisabeth Schastél on Patreon to express ones appreciation.





Egyptian deity


performance of the Egyptian deity at the Dead Sea (Israel)




Elios Schastél wishes a good entertainment.



the inner being of the kind of being



In the ancient Egypt there were recognized those individuals as godnesses and also as kings and queens who carried the Star of David inside of them on the one hand and who had already reached the last level in the inner maturation process from their birth on and who had made the maturation process also a second and a third time in their life until they started to speak with the cosmos and to deviate the contents of the cosmos  from an imaginative communication. In this context they were founders of new religions, sciences and arts. Due to the circumstance that they had reached the inner maturity up to several times and intelligence, maturity and physical as well as inner beauty were connected with it they were rewarded with fame, honour and wealth. Independant of the social caste that they came from these rare individuals who had positive special features in their soul where partly taken from their caste and they were honoured as godnesses.



plot



An inner way that is full of chanllenges and excessive demands, sufferances, hurts and failures that lead to inner maturity and greatness by overcomings and making gifts and accomplishments goes together with the smiling mask of an actress and the sun god Ra who has already innerly said goodbye to the empirical reality. After she has already reached the highest level of consciousness  she tries to make a performance of the basic trust. The inner being of the Egyptian deity is significated by all her and not only several levels of consciousness. Only after she has made a performance of each of her consciousness levels she receives the physical appearance that was often described in the teachings of the Aryan and the Jewish race. Only after a performance of all her inner kinds of beings has taken place she will gain the respective physical appearance in her life.




action steps to gain the appearance of an Egyptian deity


1. (repeated) reaching of the inner maturity
2. receival of the respective aura
3. conscious performance of the whole inner being
4. receival of the respective appearance



development process of the movie



After the Egyptian deity had already been characterized in a movie at the Swiss Italian border (look at the movie Egyptian deity & pain) there should take place one more characterization of the kind of being in connection with the humen in her life on earth in a film at the Dead Sea in Israel. The ninth symphony by Shostakovich should underline the mere shine of a nice life in contrast to the opposite inner happenings that remain hidden and unspoken. Some rehearsals took place where a practice of tai chi with a focus on acting elements much more than dance elements was made. The imagination of cosmic kinds of beings and the tai chi that was connected with it resulted in an expressive language that speaks a story about the respective cosmic kind of being. This expressive language is free of a culture-dependant understanding. It is refindable and seen with interpretations in Egyptian dances, Chinese practices of tai chi, symbol languages of Christianity and more cultural and historical contexts. Then there took place a journey to Israel. Next to the sequences that were made at the Dead Sea there were finally made two sequences in the desert that should have a picture symmetry that should convey those cosmic kinds of beings that basically make the inner being of the figure.









Egyptian deity & pain – a performance with the cosmos


cover




Elios Schastél (photographer & performer)






story about the plot and the character of the figure



An Egyptian deity is dancing far away from the viewer. Struggling with a psychosomatic illness her dance betrays the hurts that she has gained as an experiences in her star and her center*. The morning star** inside of her let her be misunderstood among the humen. The resulting rejection caused shadows in her that resulted in a psychosomatic illness and a rising that goes beyond the limits of health and human greatness. Having broken these limits she matured until she became an Egyptian deity. Spinning and whirling around with inner pain and madness her movements are sometimes similar to those of her antagonist the devil. Only little differences that can cause misunderstandings in the viewer differentiate him from his antagonist. The dance of the Egyptian deity in pain betrays a character that is distinguished by strength and vulnerability, playfulness and inner maturity, greatness and madness.





forms of expressions in dance

– a narration that speaks about the cosmos & levels of consciousness by body language


Every dance movement in a performance is an expression that contains informations about entities and happenings in the levels of consciousness and the cosmos. If more of these abstract physical expressions are connected with each other then there develops a story that tells about esoteric entities and processes. You can find some examples for these expressions that can be given in a dance or/ respectively an acting performance in below.



rising




description of the movement


A leg is moved forward and upward. The movement is similar to that that you make by climbing a mountain.




 

snake




 
description of the movement


A waggling movement is made with the upper body and/ or the head to both sides.



Egyptian deity




description of the movement


The palms touch each other while the arms are straight over the head. Simoultaneously the hips make movements to both sides.



rising morning star




description of the movement


Standing on one leg a vertical balancing act is made. The upper body is parallel to the floor.



hurt




description of  the movement


Going backwards the chest moves backward until it makes a backward bending. The movement is an expression for a hit that is made against the chest.





artistic work process & development of the films



In the course of developing the beke dance series she made the conception for the Schasa dance*** and the performance of the Egyptian deity & pain. The music piece by Rachmaninov gave her impressions of emotions and pictures that she wanted to realize in dances in a mountainous region in Switzerland. Before the departure she used a light food system and she made sport to increase the process of her spiritualization and the sensitiveness of her perceptions. She worked on imaginative pictures and the understanding to transfer music rhetoric expressions to abstract forms of the body language respectively dance language. After she had hitchhiked to the Swiss Italian border she made an imaginative communicative process with the cosmos. This artistic process went together with a practice of Thai Chi. The Thai Chi movements became that fast in the course of time that it started to become a dance performance. While listening to the music piece by Rachmaninov and simoultaneously letting herself guide in Thai Chi there were dances developing. After she had returned to Berlin she worked on the dance films making a choreography between them and the music. Elisabeth wishes a good entertainment.






appreciation


There a possibilities of showing ones appreciation in the menu item news.




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*Look at the tolamsoq language in the menu item language under religion to find more informations.
**It is the Star of David that is a character attribute of Aryans.
***Look at the menu issue expressive dances under performing arts & religion to find more informations.






copyright


All contents of this websit are made by Elios Schastél film productions.